TapestryRemembering Roger EbertCell Phones and Rape Take the Stage in Ruined Interview: Justin Brown on Sibelius and conducting the ASO Found Footage Festival Archives Local MusicNightmare WaterfallBirmingham Americana Musician Josh Brown Gets Personal Adventure the Great Brings the Show to Birmingham Birmingham's Banditos Have New Music Archives WBHM InterviewsCarsen Talks "AAA" And More On Capitol JournalJohn Archibald: Some things go fast, some things go slow John Archibald: Unrest at the Jefferson County Commission Hostess to the Civil Rights Movement John Archibald: Why Jeffco Is Paying Attorney $393K To Do Nothing Diane McWhorter on Civil Rights 50th Anniversary John Archibald: Old Questions about Airport Death and New Questions about Auburn Football John Archibald: Still Too Many Questions About Airport Tragedy John Archibald: Railroad Park Shooting and the Birmingham Barons Archives |
![]() If you'd like to suggest a story idea, or just tell us what you think of the show, please contact us. From October 19, 2006...
This weekend Opera Birmingham, the Alabama Symphony Orchestra and the Birmingham Concert Chorale team up to present the Camille Saint-Saens opera Samson and Dalila. The performance is an opera in concert. Conductor Emmanuel Plasson explains exactly what that means to WBHM's Michael Krall. Interview with Emmanuel Plasson Emmanuel Plasson conducts Opera Birmingham, the Alabama Symphony Orchestra and the Birmingham Concert Chorale in Saint-Saens' Samson and Dalila. The concert is Friday at 8 p.m. and Sunday at 2:30 p.m. at the Alys Stephens Center.
In the beginning there were The Three Tenors. The bluegrass community followed up with The Three Pickers. This week, reporter Dale Short brings us an audio postcard from a different trio - the Three Wind-Chime Artists. Our audio postcard was produced by Dale Short. To hear the audio portion of the Community Calendar from Tapestry, click here. Want to know more? Activeculture.info is a one-stop source for finding out what's going on in the Birmingham metro area.
Birmingham band apsis borrows from rock, metal, goth, sludge and progressive music to make, what it calls, "heavy atmospheric rock" -- an eccentric mix of layered music that singer Chip Hudson and guitarist Nick Mitchell hope sounds eclectic without sounding confused. This is "Never Catch a Falling Knife" from the CD "Blood Hits the Bridle." (AUDIO MONTAGE) Chip Hudson and Nick Mitchell of the band apsis. Their new CD is "Blood Hits the Bridle". They play The Highnote this Friday night and next Saturday night. Tapestry is produced by Tanya Ott, Michael Krall and Hunter Bell. Additional reporting this week from Dale Short and production assistance from Charles Saab. I'm Greg Bass. If you like what you hear on Tapestry, support us with a financial pledge to WBHM. We'll see you next week. |









